Medieval The First Crusade

The Battle of Antioch, 1098

The record
Battle Antioch
Date 28 June 1098, after a siege begun on 20 October 1097
War The First Crusade
Location Antioch on the Orontes, in northern Syria, now Antakya in southern Turkey
Belligerents The armies of the First Crusade vs the Seljuk garrison of Antioch, then the relief army of Kerbogha of Mosul
Commanders Bohemond of Taranto, Raymond of Toulouse, Adhemar of Le Puy (crusaders) vs Yaghi-Siyan (Antioch) and Kerbogha, atabeg of Mosul (relief army)
Strength Perhaps 40,000 crusaders at the siege's opening and nearer 20,000 fit to fight by June; Kerbogha's relief army put at 35,000 to 40,000
Outcome The city taken by betrayal on 3 June, then held: the crusaders broke Kerbogha's siege on 28 June and the relief army came apart
Crusader losses Never counted; the army lost more to starvation, disease and desertion over the winter than to the fighting
Muslim losses Never counted; Kerbogha's coalition came apart rather than being destroyed, with many contingents leaving the field intact

The Account

Behind the Song

The Song

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Why Antioch

Most of this record is battles. Antioch is an eight-month ordeal with a battle at the end of it, and it earns its place because of what the ordeal did to the people inside it.

The First Crusade is usually told as a march with an outcome. Antioch is where that story stops working. The army besieging the city starved worse than the city did. It was saved by a traitor and then trapped inside its own prize by a relief army it had never set out to meet. And it was finally moved to attack, at odds of two to one against, by a piece of iron pulled out of a church floor by a peasant who said an apostle had told him where to dig.

That is the reason the track sits where it does. It is the one song on the record where belief is the weapon, and the song takes no view on whether the belief was warranted. Neither does she.

The song, against the history

The song runs as couplet-driven narrative: dense AABB, one plot beat per couplet, no room to breathe. Eight months in sixteen lines.

Verse 1 is the winter, and every clause is attested. “They camped beneath Antioch’s gates” is the shape of the whole siege: the circuit of Antioch ran for miles over a mountain with hundreds of towers on it, the crusaders could not invest it, so they sat in front of the gates from 20 October 1097. “They ate their horse, starvation’s toll” and “they boiled leather, gnawed on bone” are in the sources rather than being invented for effect; the army’s horses were largely eaten by spring, which stripped its knights of the thing that made them knights. “Deserters fled through bitter night” is likewise plain record, and the deserters included men of rank.

Verse 2 is the betrayal, compressed to five couplets. Firouz commanded a tower on the southern wall and came to an arrangement with Bohemond. The detail in “One tower’s yours at dead of night” is exactly right: it was one tower, entered by ladder in darkness on 2 June, and the gate was then opened from the inside. “The streets ran red before the dawn, Antioch fell, her people gone” does not flinch from what followed, and the page should not either. The sack was indiscriminate.

Verse 3 is the reversal and the Lance, in order and on the correct dates. Kerbogha arrived days after the city fell and besieged its new occupants: “the hunters now were trapped by sword” is the literal reversal. “A peasant dreamed of buried grace” is Peter Bartholomew, who was a poor pilgrim and said Saint Andrew had appeared to him; “they dug the floor of Peter’s shrine” is the cathedral of Saint Peter, where the digging took a full day; and “they held it high and marched to die” is 28 June, when the army sortied in ranks with the Lance carried before it.

“Kerbogha’s host began to fly” is the outcome, and it is more interesting than a rout. Kerbogha’s coalition was held together badly. When the crusaders came on, his emirs withdrew their contingents from the field largely intact, for their own reasons, and the relief army came apart rather than being destroyed. That is why this page’s losses read the way they do: neither side’s dead were ever counted, and the Muslim army mostly walked away.

The bridge is the record’s clearest statement of her indifference to the thing the song is otherwise about. Antioch is a song in which one side is carrying a relic and calling on Heaven. “She knows no banners, all mortals burn the same” is placed immediately after, and it declines to take the side the rest of the song is standing on.

Lyrics

[Verse 1] The banners came through mountain pass, the walls stood tall like iron glass. They camped beneath Antioch’s gates, and swore to God they’d meet their fates. The winter gnawed at bone and soul, they ate their horse, starvation’s toll. They boiled leather, gnawed on bone, and cursed the walls of ancient stone. Deserters fled through bitter night, while others prayed for Heaven’s might.

[Pre-Chorus] The dying call into the night, And something stirs beyond the light

[Chorus] Who will HOLD them when they fall? Who will FIND them where they lie? The Lady waits beyond the wall Who will GUIDE them to the sky? Who will TEACH them how to fly? The Lady Death has heard the call

[Verse 2] Firouz came with whispered word, a traitor’s gift, the finest heard. He sold his city for his life, for gold, for glory, free from strife. “One tower’s yours at dead of night,” Bohemund smiled and sheathed his light. They scaled the walls in midnight black, the gates swung wide, no turning back. The streets ran red before the dawn, Antioch fell, her people gone.

[Verse 3] Kerbogha came with eastern horde, the hunters now were trapped by sword. The starving knelt inside the walls, and heard their doom in distant calls. A peasant dreamed of buried grace, the Lance of Christ in holy place. They dug the floor of Peter’s shrine, and raised the spear as Heaven’s sign. They held it high and marched to die, Kerbogha’s host began to fly. Paid in blood and paid in bone, for city walls of ancient stone.

[Bridge] She walks the bloodline of every oath and name, She knows no banners, all mortals burn the same, She takes the faithful, she takes the ones who stray, She takes the mighty, she takes the broken where they lay,

Part of Medieval The Medieval Chronicles All battles, in order